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Retrospekt

by Dan Geesin

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1.
2.
You know that you can share anything with me You know that you can tell me what you want to be You know that I will carry you as far as I can see Right through the village tunnels up to the dying tree You know that you can share anything with me Looking through your window at us swinging from the tree Breaking off branches from the dying tree Then building a big fire as big as a city You know that you can share anything with me Do what you want, when you like then come in for your tea Throw stones, get stoned, sit alone on a road Think about the princes, and the kiss, and the toad So you know now you can tell me anything you want Tell me about your fires and setting light to a dog You watched it run yelping, running for it’s life It was the dog of a neighbour who you really didn’t like So this is our little village with children and little wives With laddies stealing shot guns and children carrying knives With shock and horror at the masacre on the green By a man who was obsessed with everything being clean So you know that you can share anything with me Do what you want, when you like then come in for your tea Breaking off branches from the dying tree Then build a big fire as big as a city
3.
Closer 01:54
The closer you get The more you are real The more you are real The more that I feel The more that I feel The more pieces you’ll find Floating around In my mind
4.
Sometimes 02:24
We are sometimes, we are mostly We are often one of the two We are sometimes, we are often Mostly sometimes, or mostly it’s true When I hear you, I feel you Then I know that you are there When I watch you, I see you And I know you don’t like me to stair I quite like the tabel and the bigger T.V. I don’t even mind the colour of your chair What’s the point of doing something if it’s not done right It is better to do things once, that I am aware We are sometimes, we are mostly We are often one of the two We are sometimes, we are often Mostly sometimes, or mostly it’s true Being the half, that makes the whole Is the half that makes the whole out of you Being the half of the whole, Is a smaller whole than the hole that is you So we are sometimes, we are mostly We are often one of the two We are sometimes, we are often Mostly sometimes, or mostly it’s true We are sometimes
5.
6.
Spotlights 02:35
In the shadow of your pity In the spotlight of my shame With the smell of empty houses In the shadow of your name Inbetween us never speaking And the study of the game In the shadow of the moutain And the rings around the stain Trouble turns around Covering the ground Columns of indifference stand in Dust of all your shame In the spotlight of indifference That is burning like a flame The spotlight it is blinding Dilusions of my fame The spotlight’s moving slowly Clearing shadows in the way Throwing lots of stones In the glasshouse all alone Swallow your indifference And then burry all your pride Demolish heavy houses Suck the dust up through your eyes Kick the elephants to remember Cut up snakes to make a pie The Magpies are salluting But that was just a lie Spotlights like to burn While I twist and turn
7.
Plastic Pots 01:51
8.
Memory Lane 01:35
She took a trip down memory lane Where the people and the places All looked the same But everything had changed And it had gone bad Very soon she was feeling A little bit sad She got lost in memory lane She thought the people and the places Would all look the same But everything had changed And it had gone bad Very soon she was feeling A little bit mad Then she got stuck in memory lane She thought the people and the places Would all stay the same But everything that was old Had been turned into new Very soon she was wishing This would happen to you
9.
Waving Woman 02:07
There is a woman at the side of the road, waving at me She’s made of plastic bags and bottles, and she sits in a tree All the trees are laughing sideways, and they all nod their heads All the clouds were grinning furiously before going to bed The woman caught a kicker, and Kwarky was his name They play croquet together, but with her rules to the game When it was Kwarky’s turn to Roquet, she said it’s not fair Because Kwarky is a green frog, and he can jump, through the air The woman she stopped waving, when the wind blew out her song Then the laughing grinning treetops, in the shadows were all gone When the woman stopped to asked me, what’s next to do today I said I didn’t know and I never will, because that’s the game we play Mix reality with fiction, into my nightmares and my dreams Don’t be heard before you’re smelt, don’t be smelt before you’re seen Look out where your feet are walking, because the path it always clean And be warry of the mosters, that follow from where you’ve been
10.
11.
We are only here for a little while That’s why I’m going to sit here And try and make you smile It’s not just another day, may be all that we’ve got That’s why the stillness in the house reminds me a lot Of the people and the places and all we have seen Of all we’ve become and all we have been I am very happy with you I am very happy with you We are only here for a little while That’s why I’m going to sit here And try and make you smile But everybody wants to be somebody else As long as that somebody is not himself Not my friends or neighbors or what I have seen Not what I imagined or what I will dream Because I am very happy with you Because I am very happy with you We are only here for a little while That’s why I’m going to sit here And try and make you smile Because I am very happy with you Because I am very happy with you
12.
13.
In her white fluffy bathrobe, in her marble topped kitchen With a power driven juicer, and her Global knives She is sitting on the counter, whilst looking out the window At a grocery delivery, for which she will sign In this neat and tidy little life, she is a neat and tidy little wife In the house made of bricks and stone, she is never alone She’s got a dog and a cat, and paintings to look at A fluffy rug to roll in, and a foreigner to do the cooking The television is flat, and the sofa is firm All the books fit the shelves, and from them we can learn About style and mouldings, about steel or plastic Pack it swing it or stack it, in one of our neat and tidy rooms In this neat and tidy little life, she is a neat and tidy little wife In this house made of bricks and stone, that is all alone On seventeen achers, outside a fancy village, with conveniet necessities Like the company that sold me the burgular alarm In her white fluffy bathrobe, in her flat and firm life On seventeen achers, whilest standing all alone With her television voice-recognition, limmited eddition, telephone That is a bright pink
14.
15.
It’s not just flat it’s very very flat And the windmills they stick out of the ground But sometimes there are bumps in the road And big clouds that roll over fields It’s not just flat it’s very very flat And the trees are trimmed into nice little shapes But sometimes there are weeds on the path And maybe there’ll be another big flood It’s not just flat it’s very very flat And the water runs in very straight lines Sometimes they are built on top Sometimes they are dug in the ground It’s not just flat it’s very very flat And the windmills they stick out of the ground
16.
I’ve been chasing nothing For as long as I can remember I’ve been chasing nothing From January until to December I’ve been chasing nothing Because I am very clever Nothing is found in the ground Of Never Ever Land When I tried to catch you I only had one shoe on When I tried to drive there I forgot to turn the lights on When I had to do the cooking You said I should use the packet So I dug in the garden And grew all we needed And it still didn’t work I’ve been chasing nothing For as long as I can remember I’ve been chasing nothing From January to December I’ve been chasing nothing Because nothing goes on forever But the weather is good now And tomorrow maybe it won’t be You said you’d give me a reason And tell me where we’re going You said this is the season But the buds have got no bees on If all we are is star dust Then I know where we’re going Back to the flash Of the light Then back to nothing I’ve been chasing nothing For as long as I can remember I’ve been chasing nothing From January until to December I’ve been chasing nothing Because I am very clever Nothing is found in the ground Of Never Ever Land
17.
18.
Go Go Mette 01:12
Go Go Go Go Mette Go Go Go Go Go Go Go Mette Go Go Go She’s the one with the pedal to the metal She’s the one with the wind in her hair She’s the one with the pedal to the metal She’s the one who just doesn’t care Go Go Go Go Mette Go Go Go Go Go Go Go Mette Go Go Go She’s the one who takes off like a rocket She’s the one like a bird in the sky She’s the one like the wind and the river She’s the one with a glint in her eye Go Go Go Go Mette Go Go Go Go Go Go Go Mette Go Go Go
19.

credits

released November 12, 2019

RETROSPEKT
Film score by Dan Geesin

Tracks:
01 Memory Lane Music Box
02 Breaking Off Branches
03 Closer
04 Sometimes
05 Middle Staircase
06 Spotlights
07 Plastic Pots
08 Memory Lane
09 Waving Woman
10 Good Night To You
11 Happy With You
12 Through The Roses
13 White Fluffy Bathrobe
14 Warm As Sunshine
15 It's Not Just Flat
16 Never Ever Land
17 Toilet Timpani
18 Go Go Mette
19 Go Go Mette Music Box

Musicians Tracks

Baritone – Bas Kuijlenburg 2, 4, 8, 13, 15, 16, 18
Soprano – Luc Ket 3, 4, 6, 9, 11, 14, 16

Cello – Harald Austbø 2, 4, 11, 16, 18
Contrabass – Ernst Glerum 2, 4, 11, 16,
Flute – Adeline Salles 11, 12
Harpsichord – Harry Waters 13
Music Box – Hugo Bouma 1, 19
Percussion – Frank Rosaly 2, 7, 11, 13, 17, 18
Piano – Dan Geesin 10
Piano – Harry Waters 6, 8, 11, 15, 18
Sounds – Dan Geesin 5, 17
Trombone – Joop Van Der Linden 2, 11, 13
Tuba – Tjeerd Oostendorp 11, 13,
Viola – George Dumitriu 2, 4, 11, 16
Violin – George Dumitriu 2, 4, 6, 16

Writer, Composer & Supervising music editor – Dan Geesin
Co-composer of orchestrated Music – Harry Waters
First assistant – Hugo Bouma

Supervising Engineer & Mixing – Mikel Le Roy
Engineer and Mastering – Jan Schenk
Music Recording – Schenk Studio

Track Order – Gert Verbeek
Graphic Designer – Meeuw

The film RETROSPEKT was written, directed & edited by Esther Rots.

www.dangeesin.com

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Dan Geesin Netherlands

THE COMPOST
OF SOUND began in 2015 when Dan started burning his pianos.
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It is an arena for experimental music, sound and for playful storytelling.
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Dan Geesin is a fine artist, filmmaker and musician.

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